With her fifth feature, Die My Love, now in cinemas, we track back through the uncompromising career of Scottish filmmaker Lynne Ramsay and her jagged tales of human complexity.

Our first releases of 2026 include a 5-film collection of the great American documentary filmmaker Frederick Wiseman and a 1960s British B-film much loved by Quentin Tarantino and Edgar Wright.

Read about the BFI User Experience (UX) team’s focus on cross-department collaboration and user-centred design.

This stark black-and-white design for the Sidney Poitier classroom drama is the work of Maria Ihnatowicz, one of the few female artists at the celebrated Polish School of Posters.

In a bumper year for screen adaptations of Stephen King’s work, the director of The Running Man, a dystopian thriller about a bloodthirsty TV gameshow, talks to the author about media manipulation, ...

I Swear, Kirk Jones’s biographical drama based on the life story of John Davidson, a Scottish man with Tourette’s syndrome, took 9 nominations, while Lynne Ramsay’s latest film Die My Love got 8.

Eros and Thanatos battle it out in these horny Halloween horrors, where monstrosity, repressed sexuality and devilish decadence feed into some truly transgressive movies.

This Halloween, we revisit Rhidian Davis’s reckoning with the gothic’s many monstrous manifestations, from silent film to Hammer horror to Twilight. From our November 2013 issue.

Jennifer Lawrence stars in Lynne Ramsay’s first film in eight years: as a woman grappling with the emotional strain of early parenthood. She tells us about the influence of Cassavetes, her own ...

Joel Edgerton gives a career-best performance as a travelling labourer in Clint Bentley’s extraordinary film about a period of extraordinary change in early 20th century America.

To play or not to play? This toy theatre was produced to help publicise Laurence Olivier’s Oscar-winning version of Hamlet. Ian McKellen remembers getting one for Christmas.

The Kwame Brathwaite Story is chosen as Best British Discovery in the annual audience vote at the end of this year’s BFI London Film Festival.