News

The Black Wall Street Times on MSN4mon
Zora Neale Hurston’s wit helped her throughout life
Zora Neale Hurston once fibbed about her age to receive her high school diploma. She later earned an Associate’s Degree from ...
Here is why Paul McCartney felt like "Live and Let Die" was "an important historical thing" when he had the opportunity to write the song.
A live Big Bad Voodoo Daddy concert is often accompanied by dancing in the aisles, if the venue allows such enjoyment. The holiday show is mostly played in performing arts venues, which means the fun ...
I reminded myself that the scene from Live and Let Die which had played in two decades of nightmares – Roger Moore and Jane Seymour in the graveyard, Baron Samedi erupting from the earth and ...
By fuelling false rumors about immigrants in Springfield, Ohio, eating cats and dogs, Trump and Vance are bringing an old—and still dangerous—trope into the 2024 campaign.
The meaning behind “Live and Let Die” by Paul McCartney and Wings can be summed up mostly by its status as a James Bond film theme song.
Red state coal towns still power the West Coast. We can’t just let them die The Colstrip coal plant lights up the night, generating power mostly for Oregon and Washington.
Stardew Valley's new 1.6 update has completely taken over the internet, with cozy gaming fans and farming enthusiasts alike barely able to handle the sheer excitement that can only be triggered by ...
Do you have certain memories that stand out, ready to be replayed once summoned for an instant recall, complete with what you were wearing and where it happened? One of mine is of a 12-year-old niece ...
Sheffield dad Bill Bidwell's last wishes were to be played out by a jazz band like the funeral scene from 'Live and Let Die.' When the day came, his dream was fulfilled with the help of daughter ...
Baron Samedi (Live And Let Die, 1973) Based on the Haitian voodoo master of the underworld, Baron Samedi sits pretty comfortably within Live And Let Die ‘s vaguely blaxploitation motif.
A profile of Mojo, the rapper Edwin Lyons Jr., who introduced Atlanta to a new form of music, hip-hop. Part of the the AJC's 50 Years of Hip Hop in Atlanta project.