News

To spot Jens and Eva’s 1928 house, look for the brick Art Deco entry. They describe their place as having “a warmth and soul ...
View Jean-Jacques SEMPÉ (1932-2022) Ballpoint pen on paper Signed and dated 2003 lower left H_16 cm W_9 cm (when viewed without margins) Slight tear top left (2003) By Sempé Jean-Jacques; Ballpoint ...
With the emergence of Sempe and Bam III, Nigerians looking for affordable, high-performance smartphones that support the latest applications and smart work solutions can now turn to two new devices.
“Secret Things” Nudity, lesbian love scenes, threesomes, incest and orgies, sure -- but the most shocking thing about this French film is that it dares to address the fate of the soul.
France has a rich tradition of cartooning, known locally as “bande dessinée,” with many artists making significant contributions to both national and international art and culture. Here are ten of the ...
Jean-Jacques Sempé was a French artist best known for his whimsical often ironic editorial illustrations. A regular contributor to The New Yorker magazine, Sempé’s simple lines and delicate colors ...
Walking through Inga Sempé's perfect imperfect house, which has been reconstructed at the Triennale Museum in Milan, feels like an investigative exploration, a treasure hunt, and an embarrassing ...
One prevalent source of side channel vulnerabilities is the secret-dependent behavior of conditional branches (SDBCB). The state-of-the-art solution relies on Constant-Time Expressions, which require ...
Hay and Liberty have unveiled their first collaborative collection, featuring a new interpretation of the Danish brand's contemporary lighting icon, Inga Sempé’s Matin Lamp. Defined by a distinctive ...
One year after his death, Paris City Hall has announced that a site in the 6th arrondissement will be inaugurated in tribute to Jean-Jacques Sempé. The exact location has not yet been revealed.
Françoise Mouly interviews the French artist J. J. Sempé’s widow, Martine Gossieaux, about “Morning Music,” Sempé’s cover for the September 5, 2022, issue of The New Yorker.