Global OOH spend in 2024 reached $46.2bn representing 4.8% of global ADEX – breaking through the $45bn barrier and up $1bn on ...

MAA has more than 40,000 visits a month - from the obvious centres London, NYC and the West Coast to everywhere in Europe; ...

The UK Creative Festival returns to Margate on 9–10 July 9-10 with The Best of British Creativity exhibition returning, celebrating the best work of the year from the 2025 Creative Circle Awards ...

Should agencies be calling for ad bans? It does rather look like shooting yourself in the foot. A petition with signatories ...

As the world grapples with Trump and his big (not so) beautiful bill in the US (seemingly designed to make the poor poorer and less healthy), Starmer and Reeves' (not so comic) comedy act in the UK - ...

What is it they say about difficult second albums? The Gate scored mightily with its debut ad for the AA, showing it ...

If you’ve been scrolling through social media lately, you’ve probably noticed the latest wave of minimalist, logo-less ads.

In Brazil, as we know, they take creative awards pretty seriously - to the extent it's said that you can't get any other work ...

As we pore over the entrails of the holding companies and the performance all round at Cannes (where were the good ads?) it’s easy to overlook poor consumers. They don’t give a toss about any of the ...

There are lots of quite scary things about football - a Saudi moneybags club winning the World Club Championship? FIFA will love that - and Nike is seemingly planning a whole year of them judging by ...

Adweek has been doing some useful sleuthing into holding company bosses pay and the list is topped comfortably by Omnicom's ...

The Cannes Lions misleading (or faked) awards plot thickens with Omnicom/DDB’s DM9 now withdrawing two other winning campaigns – Urihi Yanomami’s ‘Gold = Death’ and OKA Biotech’s ‘Plastic Blood’ – to ...