Migrants and their tales of displacement are integral to the city’s timeless space (“forest of fossils”). The phrase “blood ...

Jennifer Findley, art advisor and founder of the JFiN Collective, explores how a new generation of collectors—many of them ...

NYU professor Nicole Fleetwood explores how incarcerated people use art to build community, cross racial divides, and reclaim ...

A towering figure in postcolonial scholarship, Mahmood is not your typical academic. Born in Bombay (now Mumbai), raised in ...

Home, both as a concept and as a place, has long been the subject of artistic inquiry. From Carrie Mae Weems’ Kitchen Table ...

Lenin and Trotsky have long been dead, but their efforts to erase history through revolutions live on. Today, the erasure is ...

National Study on Modern Love & Dating in 2025 survey conducted by Kinsey Institute and DatingNews.com, 1 in 4 LGBTQ+ singles say they are choosing to rethink how and where they date. Gen Z is most ...

Neo’s work draws on autobiographical fragments, folklore and marginalized histories to reconstruct and reimagine identity ...

"The Black body is never seen as neutral," Bell Hooks writes in Art on My Mind: Visual Politics (1995). She argues that Black bodies are politicised forms, shaped by history, surveillance, and ...

Cannes: ‘Militantropos’ Directors on Identity and the Limits of Art: “The War Has Become Part of Us” The Ukrainian filmmaking collective explores how three years of war have reshaped their ...

Her art practice, described by the artist as an intersection between the “physical and metaphysical, personal and collective,” notably centres on issues of identity, displacement and resilience.

Bill Henson on why art and politics don’t mix (and if they do, it’s probably propaganda) Bill Henson, one of Australia’s most decorated living artists, says we’ve forgotten about beauty in ...